The Art Colfax Classics Legendarium

Unofficial fan blog of former Oxford Groundskeeper (1996-2008) and current Bass Player for COOLRUNNINGS David Thomasson.

October 21, 2014 at 4:22am
127 notes
Reblogged from endlesssuffering
(via newkidsonmycock20, endlesssuffering)

(via newkidsonmycock20, endlesssuffering)

4:18am
6,029 notes
Reblogged from greuze
greuze:

Vlaho Bukovac, Andromeda (Detail), 19th/20th Century

greuze:

Vlaho Bukovac, Andromeda (Detail), 19th/20th Century

(via bloodmilk)

October 19, 2014 at 4:35pm
275 notes
Reblogged from yeahiwasintheshit

(Source: yeahiwasintheshit, via sovietnam)

4:34pm
145 notes
Reblogged from allwhitepeoplelookthesame
newkidsonmycock20:

so much drama

(via allwhitepeoplelookthesame)

newkidsonmycock20:

so much drama

(via allwhitepeoplelookthesame)

October 18, 2014 at 8:12pm
50,616 notes
Reblogged from beersharts

(Source: beersharts, via newkidsonmycock20)

October 17, 2014 at 1:59pm
30,227 notes
Reblogged from onlylolgifs

(via onlylolgifs)

October 16, 2014 at 7:57pm
521 notes
Reblogged from prostheticknowledge

prostheticknowledge:

To Be Reproduced

Interactive installation by Bram Snijders puts the viewer into a virtual room and moves according to their viewpoint - video embedded below:

To Be Reproduced is an interactive video installation that revisits the classic painting Not to be Reproduced a work made in 1937 by the Belgian surrealist painter René Magritte. The installation reflects on the pervasiveness of virtual spaces that have become an integral part of our daily social lives, and the way data traces are used to build sophisticated reproductions of the user.

In To Be Reproduced the viewer enters a hybrid space where the physical and the virtual world are closely intertwined. Positioned in front of the mirroring plane the viewer is enveloped in a virtual space where it meets a faceless digital reproduction of itself. As other participants are mirrored correctly the viewer takes on the role of the person depicted in Magritte’s painting.

This uncanny representation of the faceless user in a graphical point cloud refers to the voyeuristic nature of modern communication culture and to the data traces that are used to generate sophisticated consumer profiles. Instead of depicting people by mimicking nature, models are in-formed by analyzing metadata.

[Link]

7:51pm
957 notes
Reblogged from newkidslegacy

(Source: newkidslegacy, via newkidsonmycock20)

October 15, 2014 at 5:29pm
30,631 notes
Reblogged from onlylolgifs

onlylolgifs:

x

If I die in my sleep I hope the world remembers that this was the last re-post I ever made. 

(via ryanhatesthis)

5:27pm
278 notes
Reblogged from spacetwinks
GPOY
I just bought an algebra/trigonometry book and a calculus book at McKay’s to prepare myself for engineering. Let the Interim begin. 

GPOY

I just bought an algebra/trigonometry book and a calculus book at McKay’s to prepare myself for engineering. Let the Interim begin. 

(Source: spacetwinks, via bigredrobot)